My Projects

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May 2024

May Morris, Designer and Embroider; Theodosia Middlemore, Embroiderer; panel from the pair of Melsetter Hangings, crewel wool thread on hand-woven linen ground, worked in stem, satin, running, fly, speckling and couching stitch and laid work, c. 1900, National Museum of Scotland, Edinburgh, Accession No. K.2014.47.1&2, photo by Tiffany Beasley.

Transatlantic Connections: Reconsidering the Outcomes of the Arts and Crafts Movement Through the Women’s Experience, Britain and the United States, 1860-1920

Beasley, Tiffany B.   University of South Alabama ProQuest Dissertations & Theses,  2024. 31331901.

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Fall 2022

The War and Art Project: https://warandart.com/

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Summer 2021

Part I - Introduction: John Augustus Walker (American, 1901-1967), Muralist and Painter, Mobile, Alabama

Review of the 2021 Exhibition "John Augustus Walker Paints Mobile," Co-Curated by Tiffany Beasley

Detail of Lakeside, 1942, by John Augustas Walker

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Spring 2021

Artist Unknown, Title Unknown, Panel from Window nV, CVMA 13, 30” high by 30” wide, Held in Trinity Chapel, Canterbury Cathedral, England, The York University Magazine, Fall 2019

Part I: The Miracle Windows: How Light and Beauty Preserved the Mythos of the Becket Miracles

Abstract

Part II: The Miracle Windows: How Light and Beauty Preserved the Mythos of the Becket Miracles

The Draw of Light and Beauty to the Medieval Pilgrim

Part III: The Miracle Windows: How Light and Beauty Preserved the Mythos of the Becket Miracles

Cult of Becket: Murder and Martyrdom, Case Study: The Medieval Pilgrim Panel, and Conclusion

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Summer 2020

Jacob Gole, after James Parmentier, Portrait of Daniel Marot (1661-1752), line engraving, late seventeenth century, NPG D31305, © National Portrait Gallery, London

Part I: The Impact of French Huguenot Artisans on English Cosmopolitanism During the Reign of William and Mary (1688-1702)

Case Study: English Baroque Designer, Daniel Marot (1661-1752)

In the Style of Daniel Marot, State bed from Hampton Court, Herefordshire, c. 1698, Wood covered in blue silk damask, The Met Fifth Avenue, New York, No. 68.217.1a

Part II: The Impact of French Huguenot Artisans on English Cosmopolitanism During the Reign of William and Mary (1688-1702)

Case Study: English Baroque Designer, Daniel Marot (1661-1752)

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